
B i o g r a p h y
Kinga Ludvai is a Hungarian flutist and recorder player. Already at a young age she showed great interest in early music and began playing historical instruments – recorder and traverso under the guidance of Gábor Prehoffer, Benedek Csalog and Vera Balogh. As a promising young musician, she has gained recognition winning the second prize at the Hungarian Recorder Competition in 2006, she also performed with the renowned Capella Savaria Baroque Orchestra in Hungary. Continuing her professional training, she moved to Vienna, where she developed her skills with Michael Posch and Reinhard Czasch at the Music and Arts University of the City of Vienna. In 2010, she came to Brussels to study at the Royal Conservatory, where she obtained her master diplomas with distinction in both recorder with Bart Coen and Peter De Clercq, and traverso with Frank Theuns and Barthold Kuijken. In June 2023, she graduated with her educational master's degree from the Royal Conservatorium Brussels.
She currently lives and works in Brussels. Through her pedagogical activity (she teaches i.a. at Kunstacademie Beveren, Stedelijk conservatorium voor muziek, woord & dans Hasselt, Avademie Peter Benoit Lennik and Stedelijke Academie voor Muziek, Woord en Dans Herentals), she is passing her knowledge and passion for music on to the next generation of musicians and music enthusiasts. She collaborates with several orchestras and ensembles, participating in interesting projects (such as Somnia with Anne Teresa De Keersmaeker, Jolente De Keersmaeker and P.A.R.T.S.) and festivals (including Meer Stemmig Gent – Day of the polyphony, Supernova Semifinal, Early Music Festival in Utrecht, Musica@Parola, BOS!festival, Bozar Next generations, ECOS festival Sierra Espuña, MA festival, ORDA Amsterdam, Coudenberg Sound Box Fest and Bijloke Wonderland). She actively makes arrangements for recorder ensemble, and her first edition was published by Edition Tre Fontane in 2023.
Recently she has focused her interests on historically informed performance practice of renaissance consort music, as well as embarked on the new adventure – singing. As a versatile, curious and passionate musician, she happily performs early music repertoire, modern/live electronics compositions, and takes part in interdisciplinary projects.
